Intendant Fehlmann talks about his Schumann-like longing

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Beat Fehlmann, director of the State Philharmonic, reflects on Robert Schumann's emotional music and his personal connection to it.

Beat Fehlmann, Intendant der Staatsphilharmonie, reflektiert über Robert Schumanns emotionale Musik und seine persönliche Verbindung dazu.
Beat Fehlmann, director of the State Philharmonic, reflects on Robert Schumann's emotional music and his personal connection to it.

Intendant Fehlmann talks about his Schumann-like longing

Beat Fehlmann, the director of the German State Philharmonic of Rhineland-Palatinate, expresses a deep longing to talk to the famous composer Robert Schumann (1810-1856) about his work. Fehlmann has built up a close connection to Schumann's music over many years and describes how he manages to approach him in stages. However, he often also experiences confusion and a particular challenge when it comes to grasping the complex emotional and tonal dimensions of Schumann's compositions.

His interest focuses less on the technical side of music and more on the emotional aspects and sound design. As Fehlmann explains, a deeper explanation of Schumann's work might not diminish the magic of the music, but rather deepen its fascination. “For me, music is a mirror of self-perception,” he emphasizes, pointing to the confrontation with oneself that Schumann’s works demand of one.

A chapter comes to an end

Beat Fehlmann is facing a significant turning point in his career: at the end of August he will be retiring as director in Ludwigshafen after seven years. In the future, he will take on the position of artistic director and managing director of the Music Academy in Liechtenstein. This change not only marks a new phase in his professional career, but also a farewell to the city that meant a lot to him during his directorship.

Fehlmann takes the opportunity to look back on the challenges and joys he experienced during his time in Ludwigshafen. His desire to be able to interview Schumann personally remains a passionate dream that he continues to cherish. This connection to music and emotional content will remain a central element of his future work in Liechtenstein.

The director's thoughts show not only his personal connection to Schumann, but also the universal value of music as an expression of human emotions and self-knowledge. It remains to be seen how Fehlmann will implement his vision and views in his new role.

The Saarbrücken newspaper and the Time report on Fehlmann's artistic values ​​and his thoughts on Robert Schumann, which could also play an important role in his future engagement in Liechtenstein.